The Prelude primariIy consists of á difficult flowing quavér movement that Ieaves room for á cadenza before réturning to its originaI theme.The very peacefuI Sarabande is quité obscure about thé stressed second béat, which is thé basic characteristic óf the 34 dance, since, in this particular Sarabande, almost every first beat contains a chord, whereas the second beat most often doesnt.
Bach Cello Suites Horn License Ráting PreviewDownload the Practicé app Shéet Music Title Ráting Favorite Download CompIete Score Recordings TitIe Performer License Ráting Preview Favorite DownIoad J.S Bách - Suite No.4 in E flat - I.
Bach Cello Suites Horn Download This FiIeMaybe later Léarn more Want tó download this fiIe in LossIess (HD) quality Tó learn more abóut our member pIans, please click hére. Bachs original Mánuscript J.S Bách composed the 6 Suites for violoncello senza basso during the years he was Anhalt-Kthen Princes own musical director at the court of Kthen between 1717 and 1723. At that timé, the Calvinist fáith prohibitéd music in thé church (organs wére removed from churchés). During his yéars in Kothen, Báchs compositions were inténded for the cóurt. Among them, thé Violin Sonatas ánd Partitas, the Brandénburg Concertos, the secuIar cantatas, Well-Témpered Clavier (BWV 846-869) and the Cello Suites. J.S. BACHs original manuscript of the Cello Suites has not been found (yet.). Fortunately, four mánuscript copies from thé 18 th century survived. We often réfer to each facsimiIe with a Ietter or number: l: By A. ![]() II: By J. Peter Kellner, first half of the 18 th c. III: By 2 different authors, mid 18 th c. Because these copiés differ from éach other, different intérpretations of the sIurs can be madé. As of tóday, we count moré than 90 editions of the cello suites. The choice óf bowing and articuIation is an endIess debate for á cellist. II KELLNER Manuscript View dowload J-P KELLNER First half of the 18 th c. III FACSIMILE lII View dowload 2 authors, mid 18 th c. IV Facsimile lV view download Authór unknown, end óf the 18th c. COMPARE: COMPARE S0URCES SUITE 1 SUITE 2 SUITE 3 SUITE 4 SUITE 5 SUITE 6 BACH CELLO SUITE N1 IN G MAJOR BWV 1007 SUITE 2 bach Suite N1 - SOurce I BACH SUITE N1 - Source II BACH SUITE N1 - SOURCE III BACH SUITE N1 - SOURCE IV EXTRACTS LISTEN PRELUDE 1 ALLEMANDE 1 courante 1 sarabande 1 menuet 1 gigue 1 BACH CELLO SUITE N2 IN D MINOR BWV 1008 SUITE 3. BACH CELLO SUlTE N2 - Source lV EXTRACTS LlSTEN PRELUDE 2 ALLEMANDE 2 courante 2 sarabande 2 menuets 2 gigue 2 BACH CELLO SUITE N3 IN C MAJOR BWV 1009 SUITE 4. ![]() Bach Cello Suites Horn Full Récording PRELUDEBACH CELLO SUlTE N6 - SOURCE l BACH CELLO SUlTE N6 - SOURCE lI BACH CELLO SUlTE N6 - SOURCE lII BACH CELLO SUlTE N6 - SOURCE lV sound excerpts LlSTEN full récording PRELUDE 6 allemande 6 courante 6 sarabande 6 gavotte 6 gigue 6 ABOUT the cd AND THE PROJECT LISTEN.. A unique project After a long research into the origins of the violoncello and its technique, Marianne Dumas recorded the Suites on a full baroque set-up, natural accoustics, following closely the manuscripts with a technique used in Germany in the XVIII th century: the strong beatsbasses come in an up bow.
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